Social media reader/
Material type: TextPublication details: New York: New York University Press, 2012Description: x, 290pISBN:- 9780814764060
- 302.231 SOC
Item type | Current library | Call number | Status | Date due | Barcode | |
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Book | IIM Kashipur | 302.231 SOC (Browse shelf(Opens below)) | Available | 3193 |
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302.231 SAG Sage handbook of social media research methods/ | 302.231 SAG Sage handbook of social media/ | 302.231 SIA Understanding new media/ | 302.231 SOC Social media reader/ | 302.231 SOC Social media: usage and impact/ | 302.231 SOC Social networking: mining, visualization, and security/ | 302.2310072 PER Perspectives on social media: a year book/ |
Includes bibliographical references and index.
The first collection to address the collective transformation happening in response to the rise of social media
With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field.
Culling a broad range and incorporating different styles of scholarship from foundational pieces and published articles to unpublished pieces, journalistic accounts, personal narratives from blogs, and whitepapers, The Social Media Reader promises to be an essential text, with contributions from Lawrence Lessig, Henry Jenkins, Clay Shirky, Tim O'Reilly, Chris Anderson, Yochai Benkler, danah boyd, and Fred von Loehmann, to name a few. It covers a wide-ranging topical terrain, much like the internet itself, with particular emphasis on collaboration and sharing, the politics of social media and social networking, Free Culture and copyright politics, and labor and ownership. Theorizing new models of collaboration, identity, commerce, copyright, ownership, and labor, these essays outline possibilities for cultural democracy that arise when the formerly passive audience becomes active cultural creators, while warning of the dystopian potential of new forms of surveillance and control.
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